University of Mississippi Libraries Digital Collections

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(1255 results)



Display: 20

    • Lift Him Up (Help Me Jesus)

    • Lift Him Up (Help Me Jesus)

    • 4533

    • In 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region's most representative musicians and styles: Delta blues...
    • Joe Lee's Rock (II)

    • Joe Lee's Rock (II)

    • 4551

    • In 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region's most representative musicians and styles: Delta blues...
    • Boogie Children (I)

    • Boogie Children (I)

    • 4456

    • In 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region's most representative musicians and styles: Delta blues...
    • Rocks Is My Pillow

    • Rocks Is My Pillow

    • 4352

    • In 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region's most representative musicians and styles: Delta blues...
    • Drink On, Little Girl (I)

    • Drink On, Little Girl (I)

    • 4032

    • In 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region's most representative musicians and styles: Delta blues...
    • Boogie Children (II)

    • Boogie Children (II)

    • 4021

    • In 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region's most representative musicians and styles: Delta blues...
    • Yes, Ma'am

    • Yes, Ma'am

    • 13003

    • These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
    • Come Up Horsey (I)

    • Come Up Horsey (I)

    • 13004

    • These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
    • Come Up Horsey (II)

    • Come Up Horsey (II)

    • 13006

    • These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
    • Come Up Horsey (fragment)

    • Come Up Horsey (fragment)

    • 13005

    • These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
    • Come Up Horsey (III)

    • Come Up Horsey (III)

    • 13007

    • These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
    • Unidentified hummed tune

    • Unidentified hummed tune

    • 12992

    • These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
    • Riding In A Buggy (I)

    • Riding In A Buggy (I)

    • 13021

    • These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
    • Young Speckled Lady

    • Young Speckled Lady

    • 13008

    • These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...

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