Mississippi Woman Suffrage Association; Suffrage; Representative government and representation; Women and democracy; Equality; Women's rights; Women -- Suffrage; First-wave feminism;
Contains list of officers, resolutions, reports, and meeting minutes
Mississippi Woman Suffrage Association; Suffrage; Representative government and representation; Women and democracy; Equality; Women's rights; Women -- Suffrage; First-wave feminism;
Contains list of officers, a report of the convention, and the Mississippi Woman Suffrage Association Constitution
Mississippi Woman Suffrage Association; Suffrage; Representative government and representation; Women and democracy; Equality; Women's rights; Women -- Suffrage; First-wave feminism;
Details changes and goals for the association to work toward
Mississippi Woman Suffrage Association; Suffrage; Representative government and representation; Women and democracy; Equality; Women's rights; Women -- Suffrage; First-wave feminism;
Outlines reasons why Southern women should have political rights
These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
In 1947, using his own Presto disc recording machine, Alan Lomax recorded bluesmen Big Bill Broonzy (1893-1958), Memphis Slim (1915-1988), and Sonny Boy Williamson (1914-1948) at Decca Studios in New York City, after they had given a concert at...
These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...