In 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region's most representative musicians and styles: Delta blues...
In 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region's most representative musicians and styles: Delta blues...
In 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region's most representative musicians and styles: Delta blues...
In 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region's most representative musicians and styles: Delta blues...
In 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region's most representative musicians and styles: Delta blues...
In 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region's most representative musicians and styles: Delta blues...
In 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region's most representative musicians and styles: Delta blues...
In 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region's most representative musicians and styles: Delta blues...
In 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region's most representative musicians and styles: Delta blues...
In 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region's most representative musicians and styles: Delta blues...
In 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region's most representative musicians and styles: Delta blues...
The Lomaxes, and other collectors of their time and also decades later, found some of the most powerful vernacular music of the American South in the region's oppressive and violent prison system. The songs they found there, John and Alan Lomax...
The Lomaxes, and other collectors of their time and also decades later, found some of the most powerful vernacular music of the American South in the region's oppressive and violent prison system. The songs they found there, John and Alan Lomax...
The Lomaxes, and other collectors of their time and also decades later, found some of the most powerful vernacular music of the American South in the region's oppressive and violent prison system. The songs they found there, John and Alan Lomax...
These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
These recordings of oral history, play songs, blues, spirituals, and stories were made in 1948 when Alan Lomax invited Vera Hall to come from her home in Livingston, Alabama, to New York City for a concert. Vera Hall's mother had been a slave, and...
